A Ghetto is a Ghetto
بدم Bidam (With Blood), a documentary on the impact of Israel’s occupation of the West Bank and Gaza on Palestinian public health, co-directed by Juliana Fredman and yours truly, is screening on December 10 at the Marchmont Community Centre, Camden, London UK. The event is organised by the Camden Abu Dis Friendship Association, and proceeds benefit the Shehadeh Mosen Diabetes Clinic in Abu Dis.
I can’t be there, so help me out by passing the info on to your London folks who can.
Here’s a clip:
Hey Hey it’s White Supremacy
(Dear Readers: apologies for the long absence. The fates have stepped in and made me a full-time carer for my injured partner and our baby, so little time for blogging. Background here. That said, some stories are too infuriating to ignore.)
I’ve previously mentioned the prevalence of the Golliwog figure in Australia in these pages. Last week, on a reunion show of “Hey Hey It’s Saturday“, an extremely popular and long-running television variety show that ran all through my youth, an example of Australians’ obliviousness to the prevalence of racism in oz came roaring into the nation’s living rooms.
That’s right, producers and audience thought it was so funny the first time they did it 20 years ago, they brought it back for an encore. For those non-Australian readers, the cutaway to the caricature of a fat-lipped figure with the caption “Where’s Kamahl?” is a reference to a popular Australian lounge singer who is ethnically Tamil and was born in Malaysia.
Get it? Kamahl has dark skin! And sings! Hilarous, right? Kamahl is reportedly not amused.
Discourse around the story in the media and blogosphere is following a similar line to that begun in the exchange between Harry Connick Jr and Daryl Somers in the clip above. To summarise:
Rest of World: Hey Australia, that shit is racist and it’s mind-blowing that you’re still yucking it up to minstrel shows.
Australia: This is not America. Blackface is not considered racist here. Take a joke, mate.
Me: White Supremacy is so deeply entrenched in Australia that ridicule of people of colour, even in the crudest and most outmoded of forms of expression, is a socially acceptable form of entertainment.
Note that Daryl’s apology is directed to Harry for offending his American cultural norms, not for the content of the segment itself and its offense to people of colour.
While Australian blackface commonly mimics the Golliwog/Sambo/minstrel type, we also have an indigenous form. Growing up in North Queensland, King Billy Cokebottle was a popular performer who did his routine on a local radio program, when not out touring the pubs of the nation and selling audio cassettes by mail order.
It is important to remember that the assault on racial justice in Australia is not only taking place in the field of representation. The government has suspended the Racial Discrimination Act as part of the “Northern Territory Intervention” in order to enact policies that explictly discriminate against indigenous people, and deployed the and federal police to enact these laws. Lynchings occur, and semi-organized fascist groups are sprouting.
But it’s just a joke, mate…
Knowledge is Power
Next week sees the second round of the evolving screening/workshop/art thing we’re calling Stinger Sessions. Taking place again at Serial Space in Chippendale, inner city Sydney, this one looks at war, games, and all those in-betweeny bits.
As an appetizer, chew on a delicious chunk of transmedia: the America’s Army digital comic book.
Fear Teh Kids
Nope, not a parody. A real teaser for the Software and Information Industry Association’s upcoming revival of MC Double Def DP’s war on piracy. Watch out kids, ripping that cd could get your mum snatched by a SWAT team!




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